Monday 21 March 2011

Published: Subjective Eye, Homeworks Magazine, November 2010

Identifying the current trend for bold colour and interesting shapes and texture, this page leads us through high design, high street and up-and-coming designers who will be on your radar shortly.

Words & Styling by Emma Kay
Photography by Alexis Chabala

Published: Euro winner, Homeworks magazine, November 2010

Interviews by Emma Kay






Published: Subjective Eye, Homeworks Magazine, October 2010

Styling by Rolf Sachs and Emma Kay

Legendary designer, Rolf Sachs, leads us through the inside of his mind “Intelligence, functionality and an emotional value are the qualities I look for in design. I am attracted to everyday objects, lighting and furniture that have been continuously reinterpreted in contemporary materials,resulting in intriguing and nostalgic pieces that demonstrate the current zeitgeist. The objects I have selected are truthful and functional, devoid of any superfluous decoration or typical ‘design’ attributes. Their beauty lies in their simplicity, yet they have character and what I like to describe as ‘an inner soul’, which gives them a timeless and lovable quality.”






Published: Surface Play, Homeworks Magazine, November 2010

Textured ceramics that go against the grain - from the high street to recent graduates.

Words & Styling by Emma Kay
Photography by Alexis Chabala

Published: Tableware for opulent nights in, Homeworks magazine, November 2010

The perennial dinner party style quandary is tableware, combining jewel tones, textured glass, velvet and gold, we let rich, sumptuous and decadent be our by-words.

Words & Styling by Emma Kay
Photography by Alexis Chabala



Friday 18 March 2011

Published: Monochrome for the soul, Homeworks magazine, November 2010

Monochrome interiors, much like their fashion counterpart, are impossible to dislike. Even if colourless rooms are not your persuasion, the bold and graphic lines we create define this simplistic palette.

Words & Styling by Emma Kay
Photography by Beth Evans