Decorate: How to update a chair

You will need:

1 x nursing chair or similar, 1 x metre of fabric, 1 x metre of trimming, 1 x adjustable spanner, 1 x industrial staple gun, 1 x pack of industrial staple-gun nails, 1 x pack of Wundaweb, 1 x tube of fabric glue, 1 x fabric scissors, 1 x nail scissors, 1 x box of dress-maker pins, 1 x iron, 1 x ironing board, 2 x can of Montana 94 matte spray paint, 1 x can of primer spray (optional), 1 x tea towel, 1 x tarpaulin and 4 x cardboard boxes (of same height).

I sourced a vintage Lloyd Loom nursing chair from eBay, where you can find similar designs. The seat fabric is grey cotton twill from EPRA Fabrics, the Montana spray paint is a matte finish from Cowling & Wilcox art supplies, the industrial staple gun from Leyland SDM and the trimming and other sewing supplies from haberdashery expert and fashion college favourite MacCulloch & Wallace.

Turn the chair upside down and you will see the bolts and fixings holding the upholstered seat in place. Gently undo these and set the fixings, seat and upholstery fabric aside. Protect your working area with tarpaulin and wipe the chair down with a damp tea towel, removing any dust and dirt, then place on your cardboard boxes using one to prop up each leg. Shake the can of spray paint continuously for a minute and coat the chair evenly, leaving roughly 20 minutes between each coat; repeat until you have complete opacity of colour. This may take up to four coats depending on the original colour of the chair; if it is dark and you are spraying it white, you may find it easier to use a coat of primer spray first.

While the chair frame is drying, gently remove the original fabric from the hardboard seat with nail scissors, then set aside the wadding and the hardboard. The fabric must remain in tact as it forms the pattern for your new seat cover. Iron the fabric you have removed and pin it to your new fabric, gently cutting around using fabric scissors. Take your hardboard/wadding and place face-down on the new fabric, with the hardboard facing up towards you. Work out which side needs to be left out to cover the front edge of your chair and staple the fabric using just one staple to secure to the three sides of the board. The fourth edge reaches over and covers the front of the chair, so you will need to leave this edge until last. Gripping the fabric, go around the three edges of the board with the staple gun, securing the fabric. Use fabric glue to secure any loose edges and trim any treads with your nail scissors. Leave to dry for at least four hours.


























Once your frame and reupholstered seat board are dry, turn the frame upside down and reattach your seat board to the frame using the fixings that you set aside at the beginning of the project. Take the staple gun, folding the edge of the fabric to make a clean straight line, and use it to secure the vertical edge, taking care to keep the fabric taut. Moving to the other vertical edge, tuck under any excess fabric and repeat the process, ending with the bottom edge. Finally, use your trim and Wundaweb, or textile glue if you prefer, to cover the staple nails on the front edges of the chair.

Published: SentUAMessage, Xbox TV, February 2012

Set design & Prop Styling by Emma Kay

Trend: Creatures

Words by Emma Kay

Whether it be ethereal glassware etched with sea life, be-winged bird friends swooping on to plates or rabbits popping up on our dining tables, our recent animal infatuation shows no sign of slowing. Glassware, art, ceramics and textiles have all seen creatures stealing centre stage.


























Thrifty upcycler and designer Esther Coombs first began illustrating unwanted ceramics. Laying bold graphics over traditional design, she gave old crockery a new lease of life. Recent collections have expanded on her green credentials and now include upcycled tea towels and cushion covers. Yellow Robin plate, £36, www.esthercoombs.com

London-based artist Jen Franklin has a long-standing animal obsession. The Camberwell Art College graduate's anthropomorphic line drawings of cats, birds, squirrels and foxes have a subtle retro Victorian charm to them. Giclee limited edition Falconry print, £75, www.elphicks.bigcartel.com


























Glassware designer Christian Haas launched his 'Small Worlds' collection for Theresienthal during Vienna Design Week 2011. The intricately engraved cased crystal tumblers picture sealife, woodland owls, ants and bees. Designs are available in blue smoke, smoke grey, dark blue, clear and mandarin. Whale tumbler, £175.16, www.artedona.com

Ceramicist Fliff Carr has been working from her Camden studio in leafy north London since the late '90s. Creating finely rolled and hand-thrown earthernware products for the domestic market, each piece is finished individually with no two ever the same. Gold and Hare sugar bowl, £65, www.roostliving.com

US lifestyle brand Anthropologie has all sorts of weird and wonderful animals starring in its collections, with its Hardware section a veritable menagerie of brass woodland creatures. Sly fox door knocker, £24, www.anthropologie.eu

  






















Louise Body is a Brit designer with an eye for the outdoors, her designs inspired by British garden life and frequently depicting birds, botanics and nature. The 'Harry's Garden' union linen fabric is a modern take on a traditional material and can be used for domestic upholstery, drapery and soft furnishings.  Harry's Garden fabric, £47.20 per metre, www.louisebody.com

On set: TV channel set design, Microsoft Xbox

Words, Set Design & Styling by Emma Kay

When I took the brief from Microsoft, it demanded cohesion of three existing set areas at its Soho studio. Here the technology firm films and broadcasts video game-related shows for digital TV channel 'Inside Xbox'. Using 2K's iconic gaming hit 'BioShock' and its beautiful '30s interiors as inspiration, the client wanted to fuse retro and modern with an added dash of science fiction.

 

Part of my job is establishing what items need to be on display, or how they should be stored. I edit together pieces that will be on show and put aside bits I can tuck away or place on other parts of the set for best effect.

Installation day begins with heaving piles of boxes that need to be unpacked and the contents assembled. The giant wooden 'manikin' measures 1.8 metres – the size of an actual male adult –

and took three actual adults to put together.

My styling kit contains a full complement of screw drivers, all manner of sticky tapes, glues, wires, markers, pins and tacks. If it can be bought in an art shop then there is probably some lurking in my kit. In addition to basic decorating tools, I carry an armoury of cleaning products, to make sure every piece of furniture or prop is wiped down and dusted before final styling. Greasy fingerprints ruin photographs and the darker the item, the more they show up.

Storage formed a large part of the requirement, with Xbox needing somewhere it could keep props for filming, camera equipment and also somewhere to display memorabilia, superhero figurines and Gollum-esque models in all shapes and sizes. I sourced the antique metal and glass display cabinet from a company that specialises in vintage utility furniture, and commissioned a small designer to custom finish a G Plan sideboard for the additional space to store props. A brick wall also had to be commissioned, so I found brick slip tiles in an aged brick finish that we used for cladding.

The life-size wooden 'manikin' will be used to display outfits of current video-game characters and I am told will be redressed for each show that airs. I stumbled across vintage illuminated signage letters from '50s Germany to spell out the initials of 'Inside Xbox', which the client fell in love with. After searching high and low for the originals, I put together a dimension drawing and commissioned a signage designer to make some up for us. Interestingly, it is the same company that makes most of Vogue magazine's lighting props for fashion shoots. Although expensive, the result was stunning.


























The set was already home to an '80s arcade machine used to preview new releases. Placing the machine against the brick-clad wall lessened the harshness that this kind of object can have on a room. Key to this project was melding Xbox's items with retro, utility and modern furniture to create a thirtysomething gamer's dream loft apartment.

Lurking in the bottom of the utility display cabinet is a Czechoslovakian factory steel pendant light that will be used as a set prop, and which was sourced from a company who specialise in architectural lighting salvage. The pendant is 35cm high and a huge 25cm in diameter and I was desperate to hang it up, but with it weighing in at 8 kilos, we weren't entirely sure the ceiling would take it.